The Playhouse Theatre at the Sydney Opera House transformed into a celebration of burgeoning Saudi cinema this week, as the inaugural Saudi Film Nights unfolded under its iconic sails. As a lucky attendee of the VIP Red Carpet night, I had the privilege of being among the first to experience this exciting cultural exchange.
The evening began with a chance to brush shoulders with industry professionals and catch glimpses of the radiant Ida Alkusay, the captivating Ibrahim Alhasawi, and the ever-enthusiastic Majed Samman graced the red carpet. The buzz of anticipation was palpable as we eagerly awaited the cinematic journey ahead.
Me & Aydarous: A Glimpse into Changing Traditions
The night kicked off with the screening of “Me & Aydarous,” a short film by Sara Balghonaim. This poignant piece navigated the delicate dance between tradition and modernity. Alkusay delivered a powerful performance as a young woman yearning for independence, while the ever-watchful presence of her chauffeur, Aydarous, embodied the weight of societal expectations. The film sparked a lively discussion about the evolving landscape of gender roles in Saudi Arabia, leaving the audience eager for more.
Hajjan: A Heartwarming Tale of Resilience and Desert Dreams
Next up was the feature film, “Hajjan,” directed by the multi-award-winning Abu Bakr Shawky. This coming-of-age story wasn’t just about a boy and his camel; it was a deeper exploration of resilience, loyalty, and the pursuit of dreams.
Our protagonist, Matar, played with genuine vulnerability by newcomer Omar Al Atawi (though some reviewers found him a tad reserved), finds his world turned upside down when his brother tragically dies during a camel race. Orphaned and heartbroken, Matar clings to the one constant – Hofira, the magnificent camel he and his brother cared for. But when a rival owner, the ruthless Jasser (played with a steely glint by Abdulmohsen Alnemr), sets his sights on Hofira for the upcoming high-stakes race, Matar is forced into a difficult decision.
Hajjan doesn’t shy away from showcasing the exhilarating world of camel racing. Director Shawky, along with cinematographer Gerry Vasbenter, stages the races with heart-pounding intensity. We experience the chaos and energy from multiple angles, feeling the sand churn beneath the camels’ hooves and the cheers of the crowd thrumming in our ears. The film also captures the breathtaking beauty of the Saudi Arabian desert in all its grandeur – the vast, rippling dunes under a starlit sky create a stunning backdrop for Matar’s journey.
Hajjan is more than just a sports film. It’s a story about the unwavering bond between a boy and his animal companion, a bond that transcends language and circumstance. Matar finds solace and purpose in caring for Hofira, and their connection becomes a symbol of hope and resilience. The film explores themes of loss, grief, and the search for belonging, themes that resonate universally.
While the film celebrates the rich tradition of camel racing, it also subtly hints at the challenges within the sport. The ruthless tactics employed by Jasser raise questions about fair play and the pressure to win at all costs. Additionally, the film features strong female characters like Sara (Alshaima’a Tayeb), Jasser’s wife, who defies expectations and demonstrates surprising agency.
The Saudi Film Nights at the Sydney Opera House were not just a celebration of cinema but a cultural exchange that bridged continents. The films showcased the diversity and depth of Saudi storytelling, challenging stereotypes and inviting us to reflect on universal themes of identity, family, and societal change. As the lights dimmed and the evening drew to a close, it was evident that Saudi cinema has found its voice on the global stage, and its resonance will continue to echo long after the curtains fall.
I left inspired and enriched, carrying with me memories of a night that marked a significant milestone in the journey of Saudi filmmaking.
